https://sonett.fontane-place.de/ Sun, 28 Jun 2026 21:55:47 +0000 MyBB https://sonett.fontane-place.de/showthread.php?tid=20157 Thu, 16 Feb 2012 18:12:55 +0100 ZaunköniG]]> https://sonett.fontane-place.de/showthread.php?tid=20157 (1862-1942 / USA)

LOVE SONNETS OF AN
OFFICE BOY

I.

Oh, if you only knowed how much I like
To stand here, when the "old man" ain't around,
And watch your soft, white fingers while you pound
Away at them there keys! Each time you strike
It almost seems to me as though you'd found
Some way, while writin' letters, how to play
Sweet music on that thing, because the sound
Is something I could listen to all day.

You're twenty-five or six and I'm fourteen,
And you don't hardly ever notice me—
But when you do, you call me Willie! Gee,
I wisht I'd bundles of the old long green
And could be twenty-eight or nine or so,
And something happened to your other beau.



II.

I heard the old man scoldin' yesterday
Because your spellin' didn't suit him quite;
He said you'd better go to school at night,
And you was rattled when he turned away;
You had to tear the letter up and write
It all again, and when nobody seen
I went and dented in his hat for spite:
That's what he got for treatin' you so mean.

I wish that you typewrote for me and we
Was far off on an island, all alone;
I'd fix a place up under some nice tree,
And every time your fingers struck a key
I'd grab your hands and hold them in my own,
And any way you spelt would do for me.



III.

I wish a fire'd start up here, some day,
And all the rest would run away from you—
The boss and that long-legged bookkeeper, too,
That you keep smilin' at—and after they
Was all down-stairs you'd holler out and say:
"Won't no one come and save me? Must I choke
And die alone here in the heat and smoke?
Oh, cowards that they was to run away!"

And then I'd come and grab you up and go
Out through the hall and down the stairs, and when
I got you saved the crowd would cheer, and then
They'd take me to the hospital, and so
You'd come and stay beside me there and cry
And say you'd hate to live if I would die.



IV.

Yesterday I stood behind your chair
When you was kind of bendin' down to write,
And I could see your neck, so soft and white,
And notice where the poker singed your hair,
And then you looked around and seen me there,
And kind of smiled, and I could seem to feel
A sudden empty, sinkish feelin' where
I'm all filled up when I've just e't a meal.

Dear Frankie, where your soft, sweet finger tips
Hit on the keys I often touch my lips,
And wunst I kissed your little overshoe,
And I have got a hairpin that you wore—
One day I found it on the office floor—
I'd throw my job up if they fired you.




V.

She's got a dimple in her chin, and, oh,
How soft and smooth it looks; her eyes are blue;
The red seems always tryin' to peep through
The middle of her cheeks. I'd like to go
And lay my face up next to hers and throw
My arms around her neck, with just us two
Alone together, but not carin' who
Might scold if they should see us actin' so.

If I would know that some poor girl loved me
As much as I do her, sometimes I'd take
Her in my arms a little while and make
Her happy just for kindness, and to see
The pleased look that acrost her face'd break,
And hear the sighs that showed how glad she'd be.




VI.

When you're typewritin' and that long-legged clerk
Tips back there on his chair and smiles at you,
And you look up and get to smilin', too,
I'd like to go and give his chair a jerk
And send him flyin' till his head went through
The door that goes out to the hall, and when
They picked him up he'd be all black and blue
And you'd be nearly busted laughin' then.

But if I done it, maybe you would run
And hold his head and smooth his hair and say
It made you sad that he got dumped that way,
And I'd get h'isted out for what I done—
I wish that he'd get fired and you'd stay
And suddenly I'd be a man some day.



VII.

If I was grown to be a man, and you
And all the others that are workin' here
Was always under me, and I could clear
The place to-morrow if I wanted to,
I'd buy an easy chair all nice and new
And get a bird to sing above your head,
And let you set and rest all day, instead
Of hammerin' them keys the way you do.

I'd bounce that long-legged clerk and then I'd raise
Your wages and move up my desk beside
Where you'd be settin,' restin' there, and I'd
Not care about the weather—all the days
Would make me glad, and in the evenings then
I'd wish't was time to start to work again.



VIII.

This morning when that homely, long-legged clerk
Come in he had a rose he got somewhere;
He went and kind of leaned against her chair,
Instead of goin' on about his work,
And stood around and talked to her awhile,
Because the boss was out,—and both took care
To watch the door; and when he left her there
He dropped the flower with a sickish smile.

I snuck it from the glass of water she
Had stuck it in, and tore it up and put
It on the floor and smashed it with my foot,
When neither him nor her was watchin' me—
I'd like to rub the stem acrost his nose,
And I wish they'd never be another rose.





IX.

Yesterday I watched you when you set
There with your little lunch-box in your lap;
I seen you nibble at a ginger snap,
And wished that where your lips had made it wet
I'd have a chance to take a bite and let
My mouth be right where yours was before;
And after you had got your apple e't,
And wasn't lookin', I picked up the core.

I pressed my mouth against it then, and so
It seemed almost the same as kissin' you,
Your teeth had touched it, and your red lips, too,
And it was good and tasted sweet, and, oh,
I wished you'd bring an apple every day
And I could have the cores you'd throw away.





X.

I wish, when you was through your work some night
And goin' home alone, and had your pay
Stuck in your stockin'—what you drew that day—
A robber'd come along with all his might
And you'd be nearly scared to death, and right
There in the street you'd almost faint and say:
"Good robber, please don't hurt me—go away!"
And as he grabbed you then I'd come in sight.

I wish I'd be as strong as two or three
Big giants then, and when I handed one
Out to him he'd be through, all in, and done,
And then you'd look and see that it was me,
And, thinkin' of the great escape you had,
You'd snuggle in my arms and just be glad.




XI.

Her brother come this morning with a note
What said that she was home and sick in bed;
She's got an awful bad cold in her head—
They think it might run into the sore throat,
And oh, what if she'd not come back again,
And they would get some other girl instead
Of her to typewrite here, and she'd be dead?
I wouldn't care no more for nothin' then.

I wish I was the doctor that they'd get,
And when I'd take her pulse I'd hold her hand
And say "Poor little girl!" to her, and set
Beside the bed awhile and kind of let
My arm go 'round her, slow and careful, and
Say, "Now put out your tongue a little, pet."



XII.

She's back to work again; I'm awful glad;
When she was sick it seemed to me as though
The clocks all got to goin' kind of slow,
And every key she pounds looked kind of sad.
It's tough to have to hear her coughin' so—
I wish that I could take her cold and she
Would know I took it, and not have to blow
Her nose no more, and be as well as me.

She takes some kind of cough stuff in a spoon,
I seen her lickin' it this morning when
She took a dose and put it down again,
And when the rest went out awhile at noon
I got her spoon and licked it, and it seemed
As though it all was something nice I dreamed.




XIII.

Last night I dreamed about her in my sleep;
I thought that her and me had went away
Out on some hill where birds sung 'round all day,
And I had got a job of herdin' sheep.
I thought that she had went along to keep
Me comp'ny, and we'd set around for hours
Just lovin', and I'd go and gather flowers
And pile them at her feet, all in a heap.

It seemed to me like heaven, bein' there
With only her besides the sheep and birds,
And us not sayin' anything but words
About the way we loved. I wouldn't care
To ever wake again if I could still
Dream we was there forever on the hill.




XIV.

This morning when we come to work I got
Jammed in the elevator back of you, and there
They made you stick your elbow in me where
The mince pie lands; the lunch that I had brought
Was all smashed flat, but still I didn't care;
You leaned against me, for you couldn't stand
Because the ones in front were crowdin', and
My nose was pressed deep into your back hair.

I wish we'd had to go ten times as high,
Or else that we'd be shootin' upward yet,
And never stop no more until we'd get
Away above the clouds and in the sky,
And you'd lean back forevermore and let
Your hairpins always jab me in the eye.




XV.

When her and me were here alone, at noon,
And she had bit a pickle square in two,
I set and watched and listened to her chew,
And thought how sweet she was, and pretty soon
She happened to look down at me and say:
"You seem so sad, poor boy; what's wrong with you?"
And then I got to shiverin' all through
And wished that I was forty miles away.

I tried to think of some excuse to make,
But something seemed all whirly in my head,
And so the first blame thing I knew I said:
"It's nothin' only just the stummick ache."
Sometimes I almost wisht that I was dead
For settin' there and makin' such a break.




XVI.

Last night I heard Jones astin' you to go
To see the opery next Thursday night,
And you said yes—and he'll be settin' right
Beside you there all through the whole blamed show,
And you'll be touchin' him with your elbow,
And mebby he'll say things that tickle you
And buy a box of chock'luts for you, too,
And I'll not be around nor never know.

I wish I'd be the hero on the stage,
And you was the fair maiden that got stoled,
And he would be the villain that would hold
You frettin' like a song-bird in its cage—
And then I'd come along and smash him one,
And you'd say: "Take me, dear, for what you done."




XVII.

When I was dustin' off her desk one day,
And she was standin' there, I took the pad
She writes on when she gets dictates and had
A notion to tear off a leaf and lay
It up against my heart at night, when they
Was something made her come to where I stood
And say, "Poor boy," as softly as she could—
It almost seemed to take my breath away.

That night I couldn't sleep at all becuz
The thoughts about them words that she had said
Kep' all the time a-goin' through my head
With thoughts about how beautiful she wuz,
And then I knowed she loved me, too, or she
Would not of cared how hard I worked, you see.




XVIII.

I'd like to have a lock of her brown hair,
For that would be a part of her, you know;
And if she'd tie it with a little bow
Of ribbon, then I'd fasten it somewhere
Clear down inside, next to my heart, to wear,
And fix it over every week or so,
When I changed undershirts, or maw she'd go
And raise a fuss because she found it there.

One day when bizness wasn't on the boom
She trimmed her finger-nails, and one piece flew
To where I was, almost acrost the room;
I watched the spot where it went tumblin' to,
And now a piece of her is mine; it come
Right from the end of her dear little thumb.




XIX.

I wish, some day, when she's typewritin' and
I've took a note out for the boss somewhere,
They'd be some outlaws sneak in here and scare
That long-legged clerk to death and then the band
Would steal her, and nobody else would dare
To try to save her, and they'd run away
To where they had their cave, and keep her there,
And ast more for her than her folks could pay.

Then I would get a gun and bowie-knife
And take the name of Buckskin Bob or Joe,
And track them to their den, and then I'd go
A-galley whoopin' in, and save her life,
And she would say: "My hero's came at last!"
And we'd stand there and hold each other fast.




XX.

Last night, when she'd got on her coat and hat
And felt her dress behind and then her hair,
To see if everything was all right there,
She stopped and said: "Well, now just look at that!"
And then put out one foot a little bit,
And says: "Ain't that provokin'? I declare,
The string's untied!" She put it on a chair,
A-motionin' for me to fasten it.

So then that long-legged clerk he pushed me back
And grabbed the shoe-strings that were hangin' down—
I wish I was the strongest man in town—
Oh, wouldn't I of let him have a whack!
And I'd of kicked him so blamed hard I'll bet
He'd wonder what he might come down on yet.




XXI.

My darling, often when you set and think
Of things that seem to kind of bother you,
You put your pencil in your mouth and chew
Around the wood, and let your sweet teeth sink
Down in it till it's all marked up and split,
And yesterday I seen you when you threw
A stub away that you'd bit up; it flew
Behind the bookcase, where I gobbled it.

I put it in my mouth, the way you'd done,
And I could feel the little holes you made—
The places where your teeth sunk in—I laid
My tongue tight up against them, every one,
And shut my eyes, and then you seemed to be
There with your lips on mine and kissin' me.




XXII.

When I was tellin' ma, two days ago,
About our beautiful typewriter girl
She dropped the dough and give a sudden whirl
And said: "She's twic't as old as you, you know—
She must be twenty-five or six or so.
Don't think about her any more, my dear,
And you and me'll be always happy here—
Besides, she's nothing but an old scarecrow."

It made me sad to hear her talk that way;
My darling's just a little girl almost—
I can't see why ma give her such a roast,
And I could hardly eat my lunch next day,
For every time I took a bite of bread
I almost hated ma for what she said.




XXIII.

The other day a rusty pen got stuck
Away deep in her finger, and she held
Her poor, dear little hand up then and yelled
For me to hurry over there and suck
The poison out, and when I went I struck
My toe against the old man's cuspidor
And rolled about eight feet along the floor
Before I knew what happened, blame the luck!

When I set up and looked around, at last
That long-legged, homely clerk was there, and so
He had her finger in his mouth, and, oh,
I'll bet you I'd 'a' kicked him if I dast!
I never seen the beat the way things go
When there's a chance for me to stand a show.




XXIV.

That homely clerk took her out for a ride
Last Sunday in a buggy, and they rode
Around all through the parks; I wisht I'd knowed
About it, and the horse would kind of shied,
And then got scared and run and kicked, and I'd
Of been a piece ahead and saw him jump
And leave her hangin' on alone, the chump,
And she'd of been so 'fraid she'd nearly died.

Then I'd of give a spring and caught the bit,
And landed on the horse's back, where all
The people there could see me doin' it,
And when I got her saved the crowd would call
Three cheers for me, and then she'd come and fall
Against my buzzum, and he'd have a fit.




XXV.

I don't care if she's twic't as old as me,
For I've been figgerin' and figgers shows
That I'll grow older faster than she grows,
And when I'm twenty-one or so, why, she
Won't be near twic't as old as me no more,
And then almost the first thing that she knows
I might ketch up to her some day, I s'pose,
And both of us be gladder than before.

When I get whiskers I can let them grow
All up and down my cheeks and on my chin,
And in a little while they might begin
To make me look as old as her, and so
She'd snuggle up to me and call me "paw."
And then I'd call her "pet" instead of "maw."



XXVI.

One morning when the boss was out somewhere
And when the clerk was at the bank and me
And her was here alone together, she
Let out a screech and jumped up in the air
And grabbed her skirts and yelled: "A mouse!" And there
One come a-runnin' right at her, and, gee!
They wasn't a blame thing that I could see
To whack it with, except an office chair.

I grabbed one up and made a smash and hit
Her desk and broke a leg clear off somehow,
And when the boss came back and looked at it
He said that I would have to pay, and now,
When ma finds out I know just what I'll git—
Next pay-day there will be an awful row.




XXVII.

It's over now; the blow has fell at last;
It seems as though the sun can't shine no more,
And nothing looks the way it did before;
The glad thoughts that I used to think are past.
Her desk's shut up to-day, the lid's locked fast;
The keys where she typewrote are still; her chair
Looks sad and lonesome standin' empty there—
I'd like to let the tears come if I dast.

This morning when the boss come in he found
A letter that he'd got from her, and so
He read it over twice and turned around
And said: "The little fool's got married!" Oh,
It seemed as if I'd sink down through the ground,
And never peep no more—I didn't, though.



XXVIII.

The chap's a beau we didn't know she had
He come from out of town somewhere, they say;
I hope he's awful homely, and that they
Will fight like cats and dogs and both be sad.
But still there's one thing makes me kind of glad:
The long-legged clerk must stay and work away,
And, though he keeps pretendin' to be gay,
It's plain enough to see he's feelin' bad.

I wish when I'm a man and rich and proud,
She'd see me, tall and handsome then, and be
Blamed sorry that she didn't wait for me,
And that she'd hear the people cheerin' loud
When I went past, and down there in the crowd
I'd see her lookin' at me sorrowf'ly.]]> (1862-1942 / USA)

LOVE SONNETS OF AN
OFFICE BOY

I.

Oh, if you only knowed how much I like
To stand here, when the "old man" ain't around,
And watch your soft, white fingers while you pound
Away at them there keys! Each time you strike
It almost seems to me as though you'd found
Some way, while writin' letters, how to play
Sweet music on that thing, because the sound
Is something I could listen to all day.

You're twenty-five or six and I'm fourteen,
And you don't hardly ever notice me—
But when you do, you call me Willie! Gee,
I wisht I'd bundles of the old long green
And could be twenty-eight or nine or so,
And something happened to your other beau.



II.

I heard the old man scoldin' yesterday
Because your spellin' didn't suit him quite;
He said you'd better go to school at night,
And you was rattled when he turned away;
You had to tear the letter up and write
It all again, and when nobody seen
I went and dented in his hat for spite:
That's what he got for treatin' you so mean.

I wish that you typewrote for me and we
Was far off on an island, all alone;
I'd fix a place up under some nice tree,
And every time your fingers struck a key
I'd grab your hands and hold them in my own,
And any way you spelt would do for me.



III.

I wish a fire'd start up here, some day,
And all the rest would run away from you—
The boss and that long-legged bookkeeper, too,
That you keep smilin' at—and after they
Was all down-stairs you'd holler out and say:
"Won't no one come and save me? Must I choke
And die alone here in the heat and smoke?
Oh, cowards that they was to run away!"

And then I'd come and grab you up and go
Out through the hall and down the stairs, and when
I got you saved the crowd would cheer, and then
They'd take me to the hospital, and so
You'd come and stay beside me there and cry
And say you'd hate to live if I would die.



IV.

Yesterday I stood behind your chair
When you was kind of bendin' down to write,
And I could see your neck, so soft and white,
And notice where the poker singed your hair,
And then you looked around and seen me there,
And kind of smiled, and I could seem to feel
A sudden empty, sinkish feelin' where
I'm all filled up when I've just e't a meal.

Dear Frankie, where your soft, sweet finger tips
Hit on the keys I often touch my lips,
And wunst I kissed your little overshoe,
And I have got a hairpin that you wore—
One day I found it on the office floor—
I'd throw my job up if they fired you.




V.

She's got a dimple in her chin, and, oh,
How soft and smooth it looks; her eyes are blue;
The red seems always tryin' to peep through
The middle of her cheeks. I'd like to go
And lay my face up next to hers and throw
My arms around her neck, with just us two
Alone together, but not carin' who
Might scold if they should see us actin' so.

If I would know that some poor girl loved me
As much as I do her, sometimes I'd take
Her in my arms a little while and make
Her happy just for kindness, and to see
The pleased look that acrost her face'd break,
And hear the sighs that showed how glad she'd be.




VI.

When you're typewritin' and that long-legged clerk
Tips back there on his chair and smiles at you,
And you look up and get to smilin', too,
I'd like to go and give his chair a jerk
And send him flyin' till his head went through
The door that goes out to the hall, and when
They picked him up he'd be all black and blue
And you'd be nearly busted laughin' then.

But if I done it, maybe you would run
And hold his head and smooth his hair and say
It made you sad that he got dumped that way,
And I'd get h'isted out for what I done—
I wish that he'd get fired and you'd stay
And suddenly I'd be a man some day.



VII.

If I was grown to be a man, and you
And all the others that are workin' here
Was always under me, and I could clear
The place to-morrow if I wanted to,
I'd buy an easy chair all nice and new
And get a bird to sing above your head,
And let you set and rest all day, instead
Of hammerin' them keys the way you do.

I'd bounce that long-legged clerk and then I'd raise
Your wages and move up my desk beside
Where you'd be settin,' restin' there, and I'd
Not care about the weather—all the days
Would make me glad, and in the evenings then
I'd wish't was time to start to work again.



VIII.

This morning when that homely, long-legged clerk
Come in he had a rose he got somewhere;
He went and kind of leaned against her chair,
Instead of goin' on about his work,
And stood around and talked to her awhile,
Because the boss was out,—and both took care
To watch the door; and when he left her there
He dropped the flower with a sickish smile.

I snuck it from the glass of water she
Had stuck it in, and tore it up and put
It on the floor and smashed it with my foot,
When neither him nor her was watchin' me—
I'd like to rub the stem acrost his nose,
And I wish they'd never be another rose.





IX.

Yesterday I watched you when you set
There with your little lunch-box in your lap;
I seen you nibble at a ginger snap,
And wished that where your lips had made it wet
I'd have a chance to take a bite and let
My mouth be right where yours was before;
And after you had got your apple e't,
And wasn't lookin', I picked up the core.

I pressed my mouth against it then, and so
It seemed almost the same as kissin' you,
Your teeth had touched it, and your red lips, too,
And it was good and tasted sweet, and, oh,
I wished you'd bring an apple every day
And I could have the cores you'd throw away.





X.

I wish, when you was through your work some night
And goin' home alone, and had your pay
Stuck in your stockin'—what you drew that day—
A robber'd come along with all his might
And you'd be nearly scared to death, and right
There in the street you'd almost faint and say:
"Good robber, please don't hurt me—go away!"
And as he grabbed you then I'd come in sight.

I wish I'd be as strong as two or three
Big giants then, and when I handed one
Out to him he'd be through, all in, and done,
And then you'd look and see that it was me,
And, thinkin' of the great escape you had,
You'd snuggle in my arms and just be glad.




XI.

Her brother come this morning with a note
What said that she was home and sick in bed;
She's got an awful bad cold in her head—
They think it might run into the sore throat,
And oh, what if she'd not come back again,
And they would get some other girl instead
Of her to typewrite here, and she'd be dead?
I wouldn't care no more for nothin' then.

I wish I was the doctor that they'd get,
And when I'd take her pulse I'd hold her hand
And say "Poor little girl!" to her, and set
Beside the bed awhile and kind of let
My arm go 'round her, slow and careful, and
Say, "Now put out your tongue a little, pet."



XII.

She's back to work again; I'm awful glad;
When she was sick it seemed to me as though
The clocks all got to goin' kind of slow,
And every key she pounds looked kind of sad.
It's tough to have to hear her coughin' so—
I wish that I could take her cold and she
Would know I took it, and not have to blow
Her nose no more, and be as well as me.

She takes some kind of cough stuff in a spoon,
I seen her lickin' it this morning when
She took a dose and put it down again,
And when the rest went out awhile at noon
I got her spoon and licked it, and it seemed
As though it all was something nice I dreamed.




XIII.

Last night I dreamed about her in my sleep;
I thought that her and me had went away
Out on some hill where birds sung 'round all day,
And I had got a job of herdin' sheep.
I thought that she had went along to keep
Me comp'ny, and we'd set around for hours
Just lovin', and I'd go and gather flowers
And pile them at her feet, all in a heap.

It seemed to me like heaven, bein' there
With only her besides the sheep and birds,
And us not sayin' anything but words
About the way we loved. I wouldn't care
To ever wake again if I could still
Dream we was there forever on the hill.




XIV.

This morning when we come to work I got
Jammed in the elevator back of you, and there
They made you stick your elbow in me where
The mince pie lands; the lunch that I had brought
Was all smashed flat, but still I didn't care;
You leaned against me, for you couldn't stand
Because the ones in front were crowdin', and
My nose was pressed deep into your back hair.

I wish we'd had to go ten times as high,
Or else that we'd be shootin' upward yet,
And never stop no more until we'd get
Away above the clouds and in the sky,
And you'd lean back forevermore and let
Your hairpins always jab me in the eye.




XV.

When her and me were here alone, at noon,
And she had bit a pickle square in two,
I set and watched and listened to her chew,
And thought how sweet she was, and pretty soon
She happened to look down at me and say:
"You seem so sad, poor boy; what's wrong with you?"
And then I got to shiverin' all through
And wished that I was forty miles away.

I tried to think of some excuse to make,
But something seemed all whirly in my head,
And so the first blame thing I knew I said:
"It's nothin' only just the stummick ache."
Sometimes I almost wisht that I was dead
For settin' there and makin' such a break.




XVI.

Last night I heard Jones astin' you to go
To see the opery next Thursday night,
And you said yes—and he'll be settin' right
Beside you there all through the whole blamed show,
And you'll be touchin' him with your elbow,
And mebby he'll say things that tickle you
And buy a box of chock'luts for you, too,
And I'll not be around nor never know.

I wish I'd be the hero on the stage,
And you was the fair maiden that got stoled,
And he would be the villain that would hold
You frettin' like a song-bird in its cage—
And then I'd come along and smash him one,
And you'd say: "Take me, dear, for what you done."




XVII.

When I was dustin' off her desk one day,
And she was standin' there, I took the pad
She writes on when she gets dictates and had
A notion to tear off a leaf and lay
It up against my heart at night, when they
Was something made her come to where I stood
And say, "Poor boy," as softly as she could—
It almost seemed to take my breath away.

That night I couldn't sleep at all becuz
The thoughts about them words that she had said
Kep' all the time a-goin' through my head
With thoughts about how beautiful she wuz,
And then I knowed she loved me, too, or she
Would not of cared how hard I worked, you see.




XVIII.

I'd like to have a lock of her brown hair,
For that would be a part of her, you know;
And if she'd tie it with a little bow
Of ribbon, then I'd fasten it somewhere
Clear down inside, next to my heart, to wear,
And fix it over every week or so,
When I changed undershirts, or maw she'd go
And raise a fuss because she found it there.

One day when bizness wasn't on the boom
She trimmed her finger-nails, and one piece flew
To where I was, almost acrost the room;
I watched the spot where it went tumblin' to,
And now a piece of her is mine; it come
Right from the end of her dear little thumb.




XIX.

I wish, some day, when she's typewritin' and
I've took a note out for the boss somewhere,
They'd be some outlaws sneak in here and scare
That long-legged clerk to death and then the band
Would steal her, and nobody else would dare
To try to save her, and they'd run away
To where they had their cave, and keep her there,
And ast more for her than her folks could pay.

Then I would get a gun and bowie-knife
And take the name of Buckskin Bob or Joe,
And track them to their den, and then I'd go
A-galley whoopin' in, and save her life,
And she would say: "My hero's came at last!"
And we'd stand there and hold each other fast.




XX.

Last night, when she'd got on her coat and hat
And felt her dress behind and then her hair,
To see if everything was all right there,
She stopped and said: "Well, now just look at that!"
And then put out one foot a little bit,
And says: "Ain't that provokin'? I declare,
The string's untied!" She put it on a chair,
A-motionin' for me to fasten it.

So then that long-legged clerk he pushed me back
And grabbed the shoe-strings that were hangin' down—
I wish I was the strongest man in town—
Oh, wouldn't I of let him have a whack!
And I'd of kicked him so blamed hard I'll bet
He'd wonder what he might come down on yet.




XXI.

My darling, often when you set and think
Of things that seem to kind of bother you,
You put your pencil in your mouth and chew
Around the wood, and let your sweet teeth sink
Down in it till it's all marked up and split,
And yesterday I seen you when you threw
A stub away that you'd bit up; it flew
Behind the bookcase, where I gobbled it.

I put it in my mouth, the way you'd done,
And I could feel the little holes you made—
The places where your teeth sunk in—I laid
My tongue tight up against them, every one,
And shut my eyes, and then you seemed to be
There with your lips on mine and kissin' me.




XXII.

When I was tellin' ma, two days ago,
About our beautiful typewriter girl
She dropped the dough and give a sudden whirl
And said: "She's twic't as old as you, you know—
She must be twenty-five or six or so.
Don't think about her any more, my dear,
And you and me'll be always happy here—
Besides, she's nothing but an old scarecrow."

It made me sad to hear her talk that way;
My darling's just a little girl almost—
I can't see why ma give her such a roast,
And I could hardly eat my lunch next day,
For every time I took a bite of bread
I almost hated ma for what she said.




XXIII.

The other day a rusty pen got stuck
Away deep in her finger, and she held
Her poor, dear little hand up then and yelled
For me to hurry over there and suck
The poison out, and when I went I struck
My toe against the old man's cuspidor
And rolled about eight feet along the floor
Before I knew what happened, blame the luck!

When I set up and looked around, at last
That long-legged, homely clerk was there, and so
He had her finger in his mouth, and, oh,
I'll bet you I'd 'a' kicked him if I dast!
I never seen the beat the way things go
When there's a chance for me to stand a show.




XXIV.

That homely clerk took her out for a ride
Last Sunday in a buggy, and they rode
Around all through the parks; I wisht I'd knowed
About it, and the horse would kind of shied,
And then got scared and run and kicked, and I'd
Of been a piece ahead and saw him jump
And leave her hangin' on alone, the chump,
And she'd of been so 'fraid she'd nearly died.

Then I'd of give a spring and caught the bit,
And landed on the horse's back, where all
The people there could see me doin' it,
And when I got her saved the crowd would call
Three cheers for me, and then she'd come and fall
Against my buzzum, and he'd have a fit.




XXV.

I don't care if she's twic't as old as me,
For I've been figgerin' and figgers shows
That I'll grow older faster than she grows,
And when I'm twenty-one or so, why, she
Won't be near twic't as old as me no more,
And then almost the first thing that she knows
I might ketch up to her some day, I s'pose,
And both of us be gladder than before.

When I get whiskers I can let them grow
All up and down my cheeks and on my chin,
And in a little while they might begin
To make me look as old as her, and so
She'd snuggle up to me and call me "paw."
And then I'd call her "pet" instead of "maw."



XXVI.

One morning when the boss was out somewhere
And when the clerk was at the bank and me
And her was here alone together, she
Let out a screech and jumped up in the air
And grabbed her skirts and yelled: "A mouse!" And there
One come a-runnin' right at her, and, gee!
They wasn't a blame thing that I could see
To whack it with, except an office chair.

I grabbed one up and made a smash and hit
Her desk and broke a leg clear off somehow,
And when the boss came back and looked at it
He said that I would have to pay, and now,
When ma finds out I know just what I'll git—
Next pay-day there will be an awful row.




XXVII.

It's over now; the blow has fell at last;
It seems as though the sun can't shine no more,
And nothing looks the way it did before;
The glad thoughts that I used to think are past.
Her desk's shut up to-day, the lid's locked fast;
The keys where she typewrote are still; her chair
Looks sad and lonesome standin' empty there—
I'd like to let the tears come if I dast.

This morning when the boss come in he found
A letter that he'd got from her, and so
He read it over twice and turned around
And said: "The little fool's got married!" Oh,
It seemed as if I'd sink down through the ground,
And never peep no more—I didn't, though.



XXVIII.

The chap's a beau we didn't know she had
He come from out of town somewhere, they say;
I hope he's awful homely, and that they
Will fight like cats and dogs and both be sad.
But still there's one thing makes me kind of glad:
The long-legged clerk must stay and work away,
And, though he keeps pretendin' to be gay,
It's plain enough to see he's feelin' bad.

I wish when I'm a man and rich and proud,
She'd see me, tall and handsome then, and be
Blamed sorry that she didn't wait for me,
And that she'd hear the people cheerin' loud
When I went past, and down there in the crowd
I'd see her lookin' at me sorrowf'ly.]]> https://sonett.fontane-place.de/showthread.php?tid=17859 Sat, 17 Apr 2010 12:42:06 +0200 ZaunköniG]]> https://sonett.fontane-place.de/showthread.php?tid=17859 1850 - 1926 Neuseeland

Renunciation

"Seek ye and find!" said Christ. With subtler thought
Mild Buddha said, "Renounce and all possess;
The more ye search and toil, you gain the less;
Desire, fame, power and wealth are vain; seek naught!"

In youthful years, with Christian zeal full-fraught,
Much did I seek through anxious strain and stress:
Much, too, I found, but must in truth confess
The things I found were not the things I sought.

So I turned Buddhist; have renounced, possessed;
Conquered the flesh and cast ambition down;
Have naught, yet all I wish for; is it well?

Well? to be old, dull, passionless; the zest
Of life gone out? If this be wisdom's crown,
if quenched desire be Heaven-Lord, send me Hell!]]> 1850 - 1926 Neuseeland

Renunciation

"Seek ye and find!" said Christ. With subtler thought
Mild Buddha said, "Renounce and all possess;
The more ye search and toil, you gain the less;
Desire, fame, power and wealth are vain; seek naught!"

In youthful years, with Christian zeal full-fraught,
Much did I seek through anxious strain and stress:
Much, too, I found, but must in truth confess
The things I found were not the things I sought.

So I turned Buddhist; have renounced, possessed;
Conquered the flesh and cast ambition down;
Have naught, yet all I wish for; is it well?

Well? to be old, dull, passionless; the zest
Of life gone out? If this be wisdom's crown,
if quenched desire be Heaven-Lord, send me Hell!]]> https://sonett.fontane-place.de/showthread.php?tid=17417 Sun, 28 Oct 2007 10:56:11 +0100 ZaunköniG]]> https://sonett.fontane-place.de/showthread.php?tid=17417 1792 - 1866

SPRING FLOWERS.

THE loveliest flowers the closest cling to earth,
And they first feel the sun : so violets blue :
So the soft star-like primrose drenched in dew
The happiest of Spring's happy fragrant birth.
To gentlest touches sweetest tones reply.
Still humbleness with her low-breathed voice
Can steal o'er man's proud heart, and win his choice
From earth to heaven, with mightier witchery
Than eloquence or wisdom e'er could own.
Bloom on then in your shade, contented bloom,
Sweet flowers, nor deem yourselves to all unknown,
Heaven knows you, by whose gales and dews ye thrive ;
They know, who one day for their altered doom
Shall thank you, taught by you to abase themselves and live.]]> 1792 - 1866

SPRING FLOWERS.

THE loveliest flowers the closest cling to earth,
And they first feel the sun : so violets blue :
So the soft star-like primrose drenched in dew
The happiest of Spring's happy fragrant birth.
To gentlest touches sweetest tones reply.
Still humbleness with her low-breathed voice
Can steal o'er man's proud heart, and win his choice
From earth to heaven, with mightier witchery
Than eloquence or wisdom e'er could own.
Bloom on then in your shade, contented bloom,
Sweet flowers, nor deem yourselves to all unknown,
Heaven knows you, by whose gales and dews ye thrive ;
They know, who one day for their altered doom
Shall thank you, taught by you to abase themselves and live.]]> https://sonett.fontane-place.de/showthread.php?tid=15962 Mon, 25 Jun 2007 12:46:23 +0200 ZaunköniG]]> https://sonett.fontane-place.de/showthread.php?tid=15962 Not any sighs, no words, no overflow
Nor storms of passion, no reliefs; yet oh!
I have a leaden grief, and with it fears
Lest they who think there's nought where nought appears
May say I never loved him. Ah not so!
Love for him fills my heart; if grief is slow
In utterance, remember that for years
Love was a habit and the grief is new,
So new a thing it has no language yet.
Tears crowd my heart: with eyes that are not wet
I watch the rain-drops, silent, large, and few,
Blotting a stone; then, comforted, I take
Those drops to be my tears, shed for his sake.]]> Not any sighs, no words, no overflow
Nor storms of passion, no reliefs; yet oh!
I have a leaden grief, and with it fears
Lest they who think there's nought where nought appears
May say I never loved him. Ah not so!
Love for him fills my heart; if grief is slow
In utterance, remember that for years
Love was a habit and the grief is new,
So new a thing it has no language yet.
Tears crowd my heart: with eyes that are not wet
I watch the rain-drops, silent, large, and few,
Blotting a stone; then, comforted, I take
Those drops to be my tears, shed for his sake.]]> https://sonett.fontane-place.de/showthread.php?tid=15961 Mon, 25 Jun 2007 12:42:51 +0200 ZaunköniG]]> https://sonett.fontane-place.de/showthread.php?tid=15961
Sweet--we will hold to Love for Love's sweet sake,
Seeing Love to us must be his own reward:
Haply we shall not find our task too hard,
Nor suffer from intolerable ache.
Yea, though henceforth our lives asunder break,
From every comfort-giving hope debarr'd,
Love may support his martyrs, and the scarr'd
And wounded heart may triumph at the stake.
Sweet--not for us Love's guerdons: not for us
The boons which wont Love's constancy requite;
No whisper of low voices tremulous,
Kiss, or caress; no breath of Love's delight:
Yet will we hold our joyless troth and thus
Achieve Love's victory in Fate's despite.]]>
Sweet--we will hold to Love for Love's sweet sake,
Seeing Love to us must be his own reward:
Haply we shall not find our task too hard,
Nor suffer from intolerable ache.
Yea, though henceforth our lives asunder break,
From every comfort-giving hope debarr'd,
Love may support his martyrs, and the scarr'd
And wounded heart may triumph at the stake.
Sweet--not for us Love's guerdons: not for us
The boons which wont Love's constancy requite;
No whisper of low voices tremulous,
Kiss, or caress; no breath of Love's delight:
Yet will we hold our joyless troth and thus
Achieve Love's victory in Fate's despite.]]> https://sonett.fontane-place.de/showthread.php?tid=15960 Mon, 25 Jun 2007 12:40:02 +0200 ZaunköniG]]> https://sonett.fontane-place.de/showthread.php?tid=15960
The Master saith, "Look in thy heart and write
What thou hast heard the voices say, within
The flashing rainbows and the mist, the din
And avalanche of waters snowy white,
Of Montmorency leaping down the height."
I feel the throbbing of the joyous linn
Keep time and measure with my pulses in
A thrilling symphony of sound and sight.
For history, poetry, and wild romance,
The old, the new, Nature's exuberance--
Peace, war, and love--love still the best of all--
Their story here on every side I learn,
And Wolfe's and Montcalm's rival camps discern
In the long thunder of the roaring fall.]]>
The Master saith, "Look in thy heart and write
What thou hast heard the voices say, within
The flashing rainbows and the mist, the din
And avalanche of waters snowy white,
Of Montmorency leaping down the height."
I feel the throbbing of the joyous linn
Keep time and measure with my pulses in
A thrilling symphony of sound and sight.
For history, poetry, and wild romance,
The old, the new, Nature's exuberance--
Peace, war, and love--love still the best of all--
Their story here on every side I learn,
And Wolfe's and Montcalm's rival camps discern
In the long thunder of the roaring fall.]]> https://sonett.fontane-place.de/showthread.php?tid=15954 Mon, 25 Jun 2007 12:25:25 +0200 ZaunköniG]]> https://sonett.fontane-place.de/showthread.php?tid=15954
In Mary's absence, reason gains his throne,
And binds with stricter chains the struggling breast;
Scared at his angry frown and stern behest
Love spreads his wings and flies with many a moan.
When Mary comes with vermeil-tinctured cheek,
With graceful mien and mirth-awakening eye,
Prudence, disarmed, forsakes his ground, to fly,
And reason's chains, as touched by magic, break.
Thus when the chilling blast transforms to frost
The night-born dews that bathe the polished glass,
The roving eye, in pleasing error lost,
Sees rock and woods crowd the fantastic mass;
But soon as shines the sun's meridian ray
The icy prospect melts in streams away.]]>
In Mary's absence, reason gains his throne,
And binds with stricter chains the struggling breast;
Scared at his angry frown and stern behest
Love spreads his wings and flies with many a moan.
When Mary comes with vermeil-tinctured cheek,
With graceful mien and mirth-awakening eye,
Prudence, disarmed, forsakes his ground, to fly,
And reason's chains, as touched by magic, break.
Thus when the chilling blast transforms to frost
The night-born dews that bathe the polished glass,
The roving eye, in pleasing error lost,
Sees rock and woods crowd the fantastic mass;
But soon as shines the sun's meridian ray
The icy prospect melts in streams away.]]> https://sonett.fontane-place.de/showthread.php?tid=15935 Mon, 25 Jun 2007 11:36:01 +0200 ZaunköniG]]> https://sonett.fontane-place.de/showthread.php?tid=15935
More than a fleshly immortality
Is mine. Though I myself return again
To dust, my qualities of heart and brain,
Of soul and spirit, shall not cease to be.
I view them growing, day by day, in thee,
My first-begotten son; I trace them plain
In you, my daughters; and I count it gain
Myself renewed and multiplied to see.
But sadness mingles with my selfish joy,
At thought of what you may be called to bear.
Oh, passionate maid! Oh, glad, impulsive boy!
Your father's sad experience you must share --
Self-torture, the unfeeling world's annoy,
Gross pleasure, fierce exultance, grim despair!]]>
More than a fleshly immortality
Is mine. Though I myself return again
To dust, my qualities of heart and brain,
Of soul and spirit, shall not cease to be.
I view them growing, day by day, in thee,
My first-begotten son; I trace them plain
In you, my daughters; and I count it gain
Myself renewed and multiplied to see.
But sadness mingles with my selfish joy,
At thought of what you may be called to bear.
Oh, passionate maid! Oh, glad, impulsive boy!
Your father's sad experience you must share --
Self-torture, the unfeeling world's annoy,
Gross pleasure, fierce exultance, grim despair!]]> https://sonett.fontane-place.de/showthread.php?tid=15934 Mon, 25 Jun 2007 11:35:04 +0200 ZaunköniG]]> https://sonett.fontane-place.de/showthread.php?tid=15934 1850 - 1926 Neuseeland

Immortality

At twenty-five I cast my horoscope,
And saw a future with all good things rife --
A firm assurance of eternal life
In worlds beyond, and in this world the hope
Of deathless fame. But now my sun doth slope
To setting, and the toil of sordid strife,
The care of food and raiment, child and wife,
Have dimmed and narrowed all my spirit's scope.
Eternal life -- a river gulphed in sands!
Undying fame -- a rainbow lost in clouds!
What hope of immortality remains
But this: "Some soul that loves and understands
Shall save thee from the darkness that enshrouds";
And this: "Thy blood shall course in others' veins"?]]> 1850 - 1926 Neuseeland

Immortality

At twenty-five I cast my horoscope,
And saw a future with all good things rife --
A firm assurance of eternal life
In worlds beyond, and in this world the hope
Of deathless fame. But now my sun doth slope
To setting, and the toil of sordid strife,
The care of food and raiment, child and wife,
Have dimmed and narrowed all my spirit's scope.
Eternal life -- a river gulphed in sands!
Undying fame -- a rainbow lost in clouds!
What hope of immortality remains
But this: "Some soul that loves and understands
Shall save thee from the darkness that enshrouds";
And this: "Thy blood shall course in others' veins"?]]> https://sonett.fontane-place.de/showthread.php?tid=15908 Mon, 25 Jun 2007 11:12:57 +0200 ZaunköniG]]> https://sonett.fontane-place.de/showthread.php?tid=15908
"Words are the coin of fools," so spake the sage;
"But tables of the wise, whereon they count
The golden gems of thought, and keep the page
Of reckoning." So, brother, be the amount
Of all thou sayest or shalt say to men
The product of a pure, true-seeking mind,
And symbols of deep thought, tried and refined,
Won from the mine of rich experience; then
Shall all thy words be gold, and will outlast
The eating rust of Time, and men will say,
When thou art dead--looking upon thy past--
"This man hath earned him a fair name for aye!"
And in the inmost shrine of memory
They'll rear a precious monument for thee.]]>
"Words are the coin of fools," so spake the sage;
"But tables of the wise, whereon they count
The golden gems of thought, and keep the page
Of reckoning." So, brother, be the amount
Of all thou sayest or shalt say to men
The product of a pure, true-seeking mind,
And symbols of deep thought, tried and refined,
Won from the mine of rich experience; then
Shall all thy words be gold, and will outlast
The eating rust of Time, and men will say,
When thou art dead--looking upon thy past--
"This man hath earned him a fair name for aye!"
And in the inmost shrine of memory
They'll rear a precious monument for thee.]]> https://sonett.fontane-place.de/showthread.php?tid=15907 Mon, 25 Jun 2007 11:12:06 +0200 ZaunköniG]]> https://sonett.fontane-place.de/showthread.php?tid=15907
Paint me a picture where the golden hair,
Like sunlight, falls around the chiselled face
Of Grecian imaging;--limn me the grace
Of spiritual beauty, jewel rare,
In features human yet divinely fair.
Let, through the dark-blue splendour of the eye,
Ethereal Hope shine star-like with chaste Love,
And on the brow a wisdom from above,
And on the lip a happy secret lie,
Fraught with the spirit's sweetest sorcery;
Suffuse her face with Music, and the charm--
The animated glow of lofty Thought;
Let Cynthia's mien, with stately mildness fraught
And queenly grace, adorn th' ideal form;
And let her stand on some green isle of bliss,
Where seraphs stoop to woo her witching kiss.]]>
Paint me a picture where the golden hair,
Like sunlight, falls around the chiselled face
Of Grecian imaging;--limn me the grace
Of spiritual beauty, jewel rare,
In features human yet divinely fair.
Let, through the dark-blue splendour of the eye,
Ethereal Hope shine star-like with chaste Love,
And on the brow a wisdom from above,
And on the lip a happy secret lie,
Fraught with the spirit's sweetest sorcery;
Suffuse her face with Music, and the charm--
The animated glow of lofty Thought;
Let Cynthia's mien, with stately mildness fraught
And queenly grace, adorn th' ideal form;
And let her stand on some green isle of bliss,
Where seraphs stoop to woo her witching kiss.]]>